• CYPRESS STUDIES
  • HUNTING ISLAND STUDIES
  • RACHEL CARSON RESERVE
  • POUND NET STUDIES
  • GHOST FORESTS
  • DUNES
  • ICELAND
  • CALIFORNIA
  • THE SOUTHEAST
  • THE NORTHEAST
  • THE WEST
  • ABOUT
  • NEWS
  • CV
  • THE PRINTS
  • COMMERCIAL WORK
  • Menu

Mike Basher Fine Art

  • CYPRESS STUDIES
  • HUNTING ISLAND STUDIES
  • RACHEL CARSON RESERVE
  • POUND NET STUDIES
  • GHOST FORESTS
  • DUNES
  • ICELAND
  • CALIFORNIA
  • THE SOUTHEAST
  • THE NORTHEAST
  • THE WEST
  • ABOUT
  • NEWS
  • CV
  • THE PRINTS
  • COMMERCIAL WORK

Ahhhhhhh...Charleston...

March 17, 2016

I did some exploring early last Friday while in Charleston, and found this awesome jetty and the Morris Island Lighthouse just hanging out on a sand bar...barely clinging on to life. Pretty cool. Still need to process the film. Stay tuned for something hopefully better than this phone pic...

I was in town to drop off a few pieces with Rebekah Jacob Gallery, and talk shop. Got some good stuff on the horizon.

Speaking of horizons, here's a cool sunrise on one of the many awesome marshes in the Charleston area. Absolutely beautiful down in those parts. Gotta get down there again soon. Stay tuned for some real photos from the trip...

Comment

We've moved!

March 16, 2016

Update your address book...we've moved!!!

As sad as it was to hand over the keys to our beloved first gallery space, it was because we lucked out on a spot in downtown Beaufort RIGHT ON THE WATER!!! 

We're still tweaking the space, and need to get more photos of it, but here's a rough teaser...and the new address: 410 Front Street Beaufort, NC 28516 (inside Handscapes)

Come by and check it out. Hours are 10-6, 7 days a week.

Comment

ELEMENTS

March 09, 2016

It's alive!!! 

Last Friday, we had the pleasure to open my new show ELEMENTS at North Carolina's Museum of Natural Sciences in Raleigh, and I couldn't be happier. Met some lovely folks, and had some great conversations about a bunch of the pieces...

Below is a little video tour of the exhibit. Check it out...and if you're in the area, stop by and check it out in person! The show is running through the 27th of March.

Thanks to everyone who made this show possible, especially the kind folks at the Nature Art Gallery.

Comment

3/16 artGuide

March 02, 2016

WowWowWow!!!

I just went to the mailbox, when what to my wondering eye should appear, but my monthly artGuide. Thomas, the publisher had reached out to me last month, looking to do a feature on my "unique style" of photography. We corresponded a bit, and the magazine went to print.

Well...not only was there a gorgeous write up about the work of yours truly, but to quote Cate Blanchette in The Life Aquatic, it was the EFFING COVAH!!!                       I'm beyond words.

Here is a link to the newest magazine on issuu: artGuide March 2016.

Check it out. If you're into the arts, artGuide is a tremendous resource for collectors and enthusiasts in the Southeastern US.

Comment

Composition Craven

February 26, 2016

The Composition Craven show is wrapping up this weekend, and I gotta say...what an honor to have had the opportunity to contribute what I could to it. Some heavy photographs and stories from our community here in Eastern Carolina. 

My collection of portraits for the show focuses on powerful images of four local high school students who are very involved in their community, and are working hard for bright futures. 

Here's a little behind the scenes video of me working on it with Kayla Murphy, who was kind enough to stand in to show the process. All of these portraits were shot on a four by five inch sheet of film. The four portraits on the wall behind me are one of three different exposures of each subject. Working this closely to them with large format, you're not left with a lot of error with focus, so I tend to shoot an extra sheet for good measure. 

The show is running through the 29th. If you haven't been able to, please go check it out. Not to look at my stuff, but to read the stories of Anytown USA. Humbling.

A HUGE thanks to the Craven County Arts Council for asking me to contribute my take on these portraits to this show, and Elizabeth Ellis for making it happen.

1 Comment

Rebekah Jacob Gallery

February 25, 2016

We're beyond excited to announce our teaming up with Rebekah Jacob Gallery. Rebekah is one of the foremost experts in fine art photography in the American Southeast, and a worldwide source for photography acquisitions.

Based in beautiful Charleston, South Carolina, Rebekah and her team have curated a lovely collection of photographers and their works. 

Check out: rebekahjacobgallery for more info.

Comment

Pound Net Study wins award...

February 22, 2016

Pound Net I, VI and III were entered into the Arts Council of Carteret County's annual judged show Art From The Heart as a triptych, and the series has won an Award of Excellence!

 

The back story on the Pound Net series...

Last June, while driving north to Ocean City, Maryland for a commercial shoot for Johns Hopkins, I passed an area on the Chesapeake that had some of the most gorgeous pound net frames set up. I had to hustle to get to my shoot that afternoon, so I couldn't photograph the net frames. I'd have to wait until later. Timing aside, the harsh mid-day light and winds gusting to about 30 weren't exactly ideal conditions for working with a big and bulky large format camera.

The commissioned portrait for Johns Hopkins went quickly, and within an hour, I was back on the road headed south for home. 

Initially, I had intended on camping in my car along the road on my drive home, parked near some location I had spotted on my drive up. The six hour drive each way with a photo shoot tossed in was probably going to be a tall order. As I turned toward home, this area on the Chesapeake was at the top of my list. I would rise before dawn, and photograph these pound net frames before the contrasty summer sunlight illuminated them, and the scene around them.

As luck would have it, I caught every stop light green, and arrived at my spot just as the sun was vanishing behind the horizon. Even better news was that the 30+ gusts had retired for the evening, and it was dead calm. Perfect. 

The atmosphere before me as I set up my camera was one like I'd never seen before. The sticky summer evening had caused a haze so heavy, it was nearly impossible to differentiate the sea from the sky. Over the next hour, I made seven exposures of these pound net frames, creating delicate compositions of them in their stark environment. Working quickly, I captured my last composition as darkness set in, ending the long day.

A few months ago, I happened to drive past this area again, and upon looking at it, quickly realized that my hour one June evening after a very long day of travel and another photo shoot, was a special moment in time.

Comment

BW&C Reception

February 08, 2016

AWESOMEAWESOMEAWESOME reception last friday for the show alongside Scott Taylor at Beaufort Art Market. Nothing beats a packed house, and great conversation.

Thanks so much for all who made it out. If you missed it, the show is running through February 27th.

For hours and more information, please check out Beaufort Art Market's site.

Comment

Black, White & Color

January 26, 2016

The month of February, Scott Taylor and I are sharing a show at Beaufort Art Market. It's gonna be all photography, all the time. Scott will be exhibiting his thesis show, and I've got a bunch of black and white photographs up my sleeve, all of coastal scenes. Friday, February 5th is the party. I think it's gonna be a good one!!!

For more info, check out beaufortartmarket.com

Comment

Composition Craven

January 25, 2016

I've got four portraits joining an exhibit at Bank of the Arts in New Bern, NC during the month of February. Really looking forward to this portrait show, which will be featuring some great content from a wide array of photographers and walks of life. 

My work focuses (pun intended) on four local high school students, all of whom are very involved in school and community activities. All have bright futures, and were incredibly refreshing to work with. Each portrait is simple, but very empowering.

The show runs the entire month of February, and a reception is being held on the 12th from 5-8. If you have a chance, check it out. I think the stories and photographs of people in Eastern North Carolina are going to be incredible.

For more info, check out Bank of the Arts.

Comment

Prepping for the shot. 282' below sea level. Death Valley N.P. 2012. Age 2.

Holden and his camera...

January 20, 2016

I'm a firm believer that every kid is an artist until they're told they aren't. Like any kid, mine are always up to something, whether it's building a village for their train set out of Legos, drawing dinosaurs, or taking the occasional photograph. For them, I think everything is an exploration into their own little world. It's awesome to watch, and I think it's important. I mean...what's life without an imagination?

When Holden (our oldest) was a year old, one of my good friends bought him his first camera: a little digital camera shrouded in rubber. It was basically indestructible, and what he captured with is was always entertaining. Life from three feet.

When he turned two, I gave him a 35mm camera to mess around with (since he had been using a camera half of his life). I had inherited it from somewhere, and felt it would be fun to have him tag along with me and try to get him thinking about taking only the good ones, as he only has 36 opportunities per roll, and Dad wasn't going to feed his camera too often.

"Frame 0029". George and laundry. 2011

"Frame 0047". First selfie. Dog chew toys and bassinet. 2011

"Frame 0077". Mismatch. Striped pajamas and socks. 2011

"Frame 0083". Red motorcycle abstract. 2011

"Frame 0162". First landscape. Rocky Mountain National Park, CO. 2011

A journey around Sprague Lake. Rocky Mountain National Park, age 2.

"Frame 0557". Hudson Baby. 2012

"Frame 1435". Energy. Cache la Poudre River, CO. 2012

"Frame 1436". Hudson camping. Cache la Poudre River, CO. 2012

"Frame 1746". Cattails in the fall. 2012

Somewhere in the Southwest, hard at work with the Holga in the back seat. 2012

Framing up the following image of Badwater Basin atop my tripod. 2012

Holden's first photograph of Death Valley. Looking to the south west at Badwater Basin, 2012. Age 2.

While composing this one, he so cutely shouted "Say cheese, mountains!". Panamint Range. Death Valley N.P. 2012.

Helping develop his first roll of film. March, 2013. Age 3.

Cedar Island Wildlife Refuge. 2015. Age 5.

At five years old, adventuring at Cedar Island with his binoculars and 35mm rangefinder. 2015.

The flag at Fort Macon. 2015.

While it's not as accessible as a blank sheet of paper and a pencil, photography's inherent limitations need a strategy, which build thought processes for preparing kids for whatever lies ahead...

1 Comment
©Scott Taylor

©Scott Taylor

Basher and Taylor: Black, White & Color

January 11, 2016
©Scott Taylor

©Scott Taylor

During the month of February, Scott Taylor and I will be sharing a show at Beaufort Art Market. Scott will be unveiling his graduate thesis show, titled "The Off Season - East of the Bridge", which focuses on the current state of the ten or so tiny, rural fishing towns in the far eastern stretches of North Carolina.

Pound Net VI, 2015

Pound Net VI, 2015

Tidal IV, 2015

Tidal IV, 2015

I will be showing existing and new work, all black and white scenes...from cobbles in the Maine surf to outdoor still life studies to grand, sweeping seascapes.

The show's opening reception will be from 5-8PM, Friday February 5th at 129 Middle Lane. Beaufort, NC 28516.

For more info, contact Beaufort Art Market.

Comment
Dawn. Yavapai Point. Grand Canyon N.P., Arizona. 2009

Dawn. Yavapai Point. Grand Canyon N.P., Arizona. 2009

Holidaze...

December 17, 2015

It's here...the end of the year. Crazy. Time flies. Makes me think of the drive Char and I did from Southern California back home to Colorado two days after Christmas in 2009. We had our dog George in-tow, and were kidless. Well, sort of. Our first-born was due in just two months, and he kept nice and cozy while we explored a corner of the Southwest we had never visited.

We awoke at 4am in our Grand Canyon hotel room, and eased out into the darkness, driving toward the rim of the canyon, not sure what we were in for. We found a parking spot in the cold abyss, and our headlights hit nothing. We were there, I guess.

Creeping out of the car into one of the coldest mornings I can remember, I grabbed my camera, and we walked toward signs pointing toward Yavapai Point Overlook. Seemed like a good idea.

Navajo Point. Grand Canyon N.P., 2009

Navajo Point. Grand Canyon N.P., 2009

As the landscape slowly illuminated in front of us, I'll never forget the sense of scale of the canyon. It almost put out its own sound waves. It is deafeningly quiet.

Ship rock. Monument Valley N.P. 2009

Ship rock. Monument Valley N.P. 2009

Monument Valley N.P. 2009

Monument Valley N.P. 2009

The snow that had fallen the day before gave the Grand Canyon and Monument Valley great depth. Couldn't have asked for better conditions.

Our rest of the drive home to Colorado took us up and over some incredible terrain that evening, and we arrived home 21 hours after we had awoken that morning.

Valley of the Gods. Utah. 2009

Valley of the Gods. Utah. 2009

Comment
North Carolina State Museum of Natural Sciences

North Carolina State Museum of Natural Sciences

Upcoming Exhibition

November 30, 2015

We just made it official today that I'll have an exhibition for the month of March at the North Carolina State Museum of Natural Sciences' Nature Art Gallery in beautiful downtown Raleigh. Pretty exciting stuff, and honored at the opportunity. For more information, check out their site. I'll be posting more on the show as we get closer.

An opening reception is scheduled for Friday, March 4th, 2016, and the show is running until March 27th.

Stay tuned...

Comment

Aspens III, 2012 (infrared with 812 nm filter)

Fall is in the air...

October 01, 2015

Here's a favorite, from the fall of 2012. I had always wanted to try out some infrared film, but just never had any to use. So, that summer, I grabbed a box of Efke IR820, loaded up one film holder, and kept it in my camera bag, just in case. Well, there it sat, until we decided to spend the weekend up in Aspen, Colorado (this was when we lived near Boulder).

Aspens II, 2012 (Ilford FP4 with red 25)

While out for a hike one afternoon, I stopped in the middle of a stand of aspens, and framed up the tops of them, basking in afternoon sunlight. Their white trunks and bright yellow leaves against the deep blue sky created so much energy and contrast.

Aspens I, 2012 (Ilford FP4 with yellow 12)

I made three exposures. One with infrared film, and two others with black and white film, with a yellow filter to turn the leaves white, and a red filter to darken the leaves and sky. Together, the three different images tell a unique story.

Comment

Beech Cliffs and Echo Lake. Acadia National Park, ME.

Something developing...

September 28, 2015

My camera gear still smells of campfire smoke and cold salt air, but I've got all of my film processed from my week in Maine. 457 miles hiked (25% of which was vertical), half of a box of film exposed, and a lot of work ahead of me, but happy with what I came away with from this trip, both in-camera, and personally.

Missing Maine already...

1 Comment

Fog. Ship Harbor, Acadia National Park, Maine. 2011

Maine on my mind...

September 01, 2015

My first visit to Maine was during the summer between 8th and 9th grade...back in the early 90's. The only things on my mind were my snowboard, my skateboard, every band in Seattle, and girls. I lived in the middle of nowhere, New York State. The woods. I appreciated the heck out of what lie outside my door, and had always had a deep appreciation and fascination with being outdoors and exploring. 

It wasn't until the fall of 1996 that I took my first photography class. The fall semester of my senior year in high school. The 'ol "What're you going to do with the rest of your life?" question. 

I had no idea.

But, that first roll of film changed me. It was magical. I loved the process...the camera being the tool, and this strip of plastic that recorded stuff backwards that you could then shine light through on to a sheet of paper and make right again. Magical.

Ship Harbor Inlet. Acadia National Park, Maine. 2011

Another thing that changed me was Maine. I've only visited three times in my life, but I vividly remember each stay. There's something about the coast that strikes a chord with me. Its climate is perfect. The weather can change in a matter of minutes. The rocky coast and icy cold waves were meant for each other. Not to mention...all that granite.

It is beautifully rugged.

Seawall Point Surf. Acadia National Park, Maine. 2011

Like a steelhead drawn by instinct to spawn each fall, I get that itch to dive into some remote corner of the northeast, and just take it all in. The crisp air, the cool evenings and mosquitoes just come a calling. Back in my college days, I always fancied myself living out of a tent, riding my mountain bike to a steep trail, and taking foot to summit some northeastern peak to capture the grandest vistas on my view camera. Ahhhhhhh...it would be great. Of course, I had no piece to that puzzle, save for hiking boots.

Fog in Ship Harbor, Acadia National Park, Maine. 2011

I think the necessity for us to venture and wander lies in our DNA. Some act upon the urge, some don't. Even better...some who act have a camera. 

So...I'm planning my next visit. The car has been rented, my camping gear is in order, and film is stocked up. Heck, I even went ahead and overhauled my tripod. It's going to be a week of solo photography bliss.

Stay tuned.....................

Comment
Bass Harbor Marsh. Acadia National Park, Maine. 1999

Bass Harbor Marsh. Acadia National Park, Maine. 1999

Maine, 1999...

August 21, 2015

These are the first landscape photographs I made with a large format camera.

For about a week in 1999, I visited Maine with my family, three months before graduating college...on the verge of entering the "real world". I was getting work published regularly in magazines, and life was looking clearer, with an in-house editorial position likely in my near future. 

However, I had long fancied myself toting my gear through the woods in search of the perfect composition.  This was, after all, how I came to love photography in the first place. Exploring. Making photographs. Living.

I had been to Acadia once before, when I was much younger, and could still vividly remember the beauty and the grit of it; rugged, beautifully barren and diverse. When a family vacation opportunity arose, I cast my vote to head back to Acadia. 

Cadillac Mountain. Acadia National Park, Maine. 1999.

Cadillac Mountain. Acadia National Park, Maine. 1999.

This was my first visit with a camera, and luckily, I was able to borrow a large format field camera from school. Over the course of the week, I made four exposures with it, these two being among them.

Yes, I did have my 35mm camera with me. And yes, I did shoot both of these scenes with that 35mm camera. But...these two images...I worked for. I toiled over EVERYTHING within my frame. The height of the camera had to be just right, and I had to make sure I placed the camera in the perfect spot...not too close, and not too far. Yes, I cared about these things with my 35mm camera, but not with the same weight as with this large format camera.

These two photographs were carefully crafted and composed. They are special.

Comment

Macon Out...

August 06, 2015

...So I did my first #instameet the other day. Didn't know what to expect, really. Thinking about it beforehand, I assumed I'd show up to a crowd of people, each with a cell phone in hand, milling about, documenting any and everything they saw. They would filter it later, upon posting, or if they were too good for image manipulation, they would go the oh-so-proud "#nofilter" route.

The selected location was Fort Macon, which I've visited a few times, only once with a camera–my Mamiya 6. I figured I'd take a different approach to my last photographs of the fort by taking my large format camera with me on this rendezvous. The details and textures in the fort's 175 year-old nooks and crannies beg for it. 

To my happy surprise, I left my first #instameet having connected with half a dozen awesome folks as passionate about making images as I am, each with their very own style and vision. I've always been a big fan of photo outings with a few buddies. It's refreshing to see what comes about when you've got a few lenses pointed at the same subject. 

If you want to get the gist of what all went down, head on over to instagram, and check out the 'ol #FortMaconRingworm. Long story on how that came about...

Comment

Fort Macon XI, 2013

A roll and a half at Fort Macon, NC.

July 24, 2015

I'm a sucker for shapes and lines. Civil War forts have plenty of both...and then some. Here are fourteen frames from a walk-through two years ago.

Fort Macon I, 2013

Fort Macon VI, 2013

Fort Macon II, 2013

Fort Macon VII, 2013

Fort Macon V, 2013

Fort Macon IV, 2013

Fort Macon X, 2013

Fort Macon XIV, 2013

Fort Macon XIII, 2013

Fort Macon VIII, 2013

Fort Macon XII, 2013

Fort Macon IX, 2013

Fort Macon XV, 2013

Prints are for sale. Please contact me for pricing options: mike@mikebasher.com

Comment
Prev / Next