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Mike Basher Fine Art

  • CYPRESS STUDIES
  • HUNTING ISLAND STUDIES
  • RACHEL CARSON RESERVE
  • POUND NET STUDIES
  • GHOST FORESTS
  • DUNES
  • ICELAND
  • CALIFORNIA
  • THE SOUTHEAST
  • THE NORTHEAST
  • THE WEST
  • ABOUT
  • NEWS
  • CV
  • THE PRINTS
  • COMMERCIAL WORK

Pound Net Study wins award...

February 22, 2016

Pound Net I, VI and III were entered into the Arts Council of Carteret County's annual judged show Art From The Heart as a triptych, and the series has won an Award of Excellence!

 

The back story on the Pound Net series...

Last June, while driving north to Ocean City, Maryland for a commercial shoot for Johns Hopkins, I passed an area on the Chesapeake that had some of the most gorgeous pound net frames set up. I had to hustle to get to my shoot that afternoon, so I couldn't photograph the net frames. I'd have to wait until later. Timing aside, the harsh mid-day light and winds gusting to about 30 weren't exactly ideal conditions for working with a big and bulky large format camera.

The commissioned portrait for Johns Hopkins went quickly, and within an hour, I was back on the road headed south for home. 

Initially, I had intended on camping in my car along the road on my drive home, parked near some location I had spotted on my drive up. The six hour drive each way with a photo shoot tossed in was probably going to be a tall order. As I turned toward home, this area on the Chesapeake was at the top of my list. I would rise before dawn, and photograph these pound net frames before the contrasty summer sunlight illuminated them, and the scene around them.

As luck would have it, I caught every stop light green, and arrived at my spot just as the sun was vanishing behind the horizon. Even better news was that the 30+ gusts had retired for the evening, and it was dead calm. Perfect. 

The atmosphere before me as I set up my camera was one like I'd never seen before. The sticky summer evening had caused a haze so heavy, it was nearly impossible to differentiate the sea from the sky. Over the next hour, I made seven exposures of these pound net frames, creating delicate compositions of them in their stark environment. Working quickly, I captured my last composition as darkness set in, ending the long day.

A few months ago, I happened to drive past this area again, and upon looking at it, quickly realized that my hour one June evening after a very long day of travel and another photo shoot, was a special moment in time.

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